And while almost ten years have passed since the f/1.4G was first released, its status as the wide-angle of choice for many pro shooters has nonetheless remained relatively unchallenged. The front of the lens features a protective lens hood and will take regular 72mm filters.Īn oldie but goodie, the Nikon AF-S 35mm f/1.4G was the first fixed focal length moderate wide-angle lens with autofocus to come on the market for full-frame Nikon cameras. But considering that it’s a relatively slow wide-angle lens, this is in any case largely to be expected. This is easily corrected when processing the RAW files.įinally, when it comes to Bokeh, there’s nothing here to get too excited about. Be aware though that the lens exhibits considerable barrel distortion when used at the widest zoom settings. There’s no apparent vignetting though, and flare is well controlled. However, there’s some slight chromatic aberration with the lens when shooting at the fastest apertures, with purple fringing also quite noticeable. Image sharpness is very good across the frame – even wide open and set at 10mm – displaying maximum sharpness at the edges between the apertures of f/5.6 and f/8. However, lack of a VR-off switch might potentially be an issue for those who regularly shoot on a tripod: as when no vibration is present, the VR function may start to interfere with image quality. Of course, the majority of users will have no reason to turn image stabilization off most of the time anyway – and indeed will likely be grateful it comes with this feature at all, given the relatively low retail price. More bizarrely still, there is no switch to turn off the VR function. Rather strangely though, there is no way to switch between AF and MF focusing on the lens itself the only way to switch is via the LCD on the back of your camera. Zooming is done through a dedicated ring that is broad and satisfying to use, while a much skinnier ring that is also a joy to turn controls the manual focus.ĪF is surprisingly fast and accurate throughout the zoom range. While decidedly compact and unobtrusive when stowed, the lens does extend somewhat when zoomed out. Nonetheless, it seems quite sturdy, and will likely stand up to regular use by all but the most demanding (or careless) of photographers. Of course, as one of the cheaper Nikon lenses in this category, it is built entirely from plastic rather than metal alloy. Offering a relatively broad zoom reach, in a small and lightweight package, it is a lens that will no doubt appeal to many landscape, interior, wedding, events, documentary, and travel photographers looking for a convenient solution for wide-angle shooting. And while intended as a budget alternative to the expensive 10-24mm, the 10-20mm f/4.5-5.6 is a surprisingly good lens for the money. Until the Nikon AF-P DX 10-20mm f/4.5-5.6 G VR came on the scene back in 2017, Nikon APS-C camera owners looking for a wide-angle zoom needed to spend a considerable sum of money in order to get anything worth using. Ultra Wide Nikon AF-P DX 10-20mm f/4.5-5.6G VR In search of some more general info about camera lenses and what to look for when purchasing them? Check out our guide, Camera Lenses. With this in mind, in this guide, we review a selection of the best lenses currently available for both APS-C and full-frame Nikon DSLRs. This will allow you to be able to maximize lens usage between formats: say by purchasing a good standard lens for the FX format that will double as a portrait lens when used on DX. In either case, it would pay to very carefully research all the options available before purchasing. Maybe you regularly use both FX and DX format cameras? Or perhaps you think that you might want to move from one format to the other at some point in the future? Conversely, use a DX format lens on an FX body, and a 1.5 x crop will be automatically applied (and deactivating this crop function will cause strong vignetting). To make matters more confusing, while Nikon FX (full frame) and DX (APS-C) lenses are interchangeable, in practice the use of an FX lens on a DX body will result in a lens of an entirely different focal length. With so many different lenses available on the market today, and at vastly varying price points, it can often be a real challenge to work out which will be the best Nikon lens to use with your camera.
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